Epaminondas is a low-income middle-class civil servant in the early 1970s. He is an ordinary man, a family man, whose day-to-day life is surrounded by bureaucratic commitments and can no longer stand the banal routine he is subjected to.

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Pedro Paulo decides to put his car on the street, an 80s Opala, and work as an app driver. What he didn't expect was to pick up passengers who could turn his day upside down.

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A man, trying to get a job, meets a lot of unusual characters on his way.

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‘How are women doing in Brazil?’. It is this intriguing question, posed by an Italian journalist, that Helena Solberg tries to answer through elements of her films, from the 1960s to the present day. Along the way, encounters with figures such as Heloisa Teixeira, Rita von Hunty and Helena Vieira illuminate some of the cracks in this broad debate.